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NEWSLETTER SPORTS LAW
MAY 2007

MAIN PAGE ROUGH PLAY MARTIAL ARTS IMAGE RIGHTS MEET OUR TEAM

FAIR GAME?  PROTECTION OF ATHLETES’ IMAGE RIGHTS
CRAIG SUBOCZ, SOLICITOR


Introduction

Sport in Australia is a big business.  Athletes are becoming keen to protect the integrity of their so-called ‘image rights’, including via legal means.  Administrators of sporting organisations who use the impressive imagery of their sport for promotional purposes must be conscious of athletes’ rights in the promotional value of their images.

Australian law protects image rights on a narrow basis, concentrating on passing off and misleading and deceptive conduct.  There are no rights per se in the athlete’s own image or personality.  Instead, Australian athletes’ rights are based on the truthfulness of representations made by others about the athletes to the public

Key points

  • No proprietary right of publicity in Australia;
  • Image’ protected through misleading and deceptive conduct and/or passing off;
  • Generally obtain an athlete’s permission to use an image of the athlete to promote goods or services; and
  • Carefully manage the use of the image to avoid it becoming misleading if circumstances change.

Summarising the principles

The Australian means of protecting an athlete’s image had its genesis in 1920s England, where the distinction between an amateur and a professional sportsperson was very important.  An amateur golfer complained that an advertisement featuring him with the defendant’s chocolate bar in his back pocket defamed him because it insinuated that he was prepared to lend his image to endorse the chocolate bar.  Evidence showed that the defendant understood that other amateur sportspersons would object to their image being used.  The House of Lords found that the jury was entitled to infer from the advertisement that the defendant had been granted the golfer’s permission to use his image when, in fact, he had not.

In the 1960s, two professional dancers argued that an album producer had engaged in ‘passing off’ when it reproduced a photograph of the dancers on the cover of an album containing ballroom dance music without their permission.  The plaintiffs were well-known by professional dancers and teachers, which was the defendant’s target audience.  The Court held that the audience would believe that the plaintiffs had agreed to the defendant’s use of the photograph to promote the album.  The producer therefore misrepresented to the public that the plaintiffs had recommended the defendant’s album.

These decisions influence more recent Australian cases.  In the mid-1980s, a successful Olympic athlete complained unsuccessfully that the use of a photograph of him competing in the long jump misrepresented that he had permitted the defendant to use the photograph.  The Court found that the defendant did not use the photograph to promote its services per se, but ‘excellence in sport’ and further, the target audience would not recognise him without seeing his name. 

On the other hand, in 1996, Kieren Perkins succeeded against Telstra when Telstra used a photograph of Perkins in the pool wearing a cap bearing Telstra’s logo in an advertisement for its telephone services.  The Court found that Telstra had represented to the public that Perkins was a member of a group which Telstra sponsored when he was not, and had attributed attitudes and aspirations to Perkins without his knowledge or consent.  The misrepresentations had not damaged Perkins’ reputation, but had harmed Perkins’ ability to exploit the commercial advantage his success and fame had given him.

“Leapin’ Leo Barry”

In the 2005 AFL Grand Final, Swans player Leo Barry marked the football amongst a number of players in the Swans backline to halt a final Eagles thrust forward.  Seconds later, the final siren blew to end the game in the Swans’ favour.  In 2006, the AFL allowed Tabcorp to use a photograph of Barry’s mark to promote its services.  Barry has claimed that:

  • the AFL needed to obtain Barry’s permission to use the image of him taking the mark captured in the photograph; and 
  • as it did not, the AFL has engaged in misleading and deceptive conduct and passing off. 

The Federal Court referred the matter to mediation and the claim is still before the Court.  Should the matter proceed to trial, it will prove an interesting test case of the authorities established over the last 90 years.

Guidelines

The authorities establish a number of useful guidelines for athletes, sports administrators, sponsors and companies wishing to use athlete endorsements:

  • Only well-known athletes are likely to prevent another party from using their image or name to promote goods or services without the athlete’s permission (unless the athlete has registered a trade mark);
  • If the other party is using the athlete’s image or name to promote a concept (such as ‘excellence in sport’), it is unlikely that the athlete could stop the other party;
  • However, these companies should obtain permission of the athlete to use his/her name or image, in the event that the athlete becomes well-known in the meantime;
  • Sports administrators may seek a blanket consent from the athlete to the administrators’ use of the athlete’s ‘image rights’ to promote the sport and/or its interests.  However, the parties need to carefully consider and agree upon the limits of these interests; and
  • The situation should be monitored closely - where the athlete is no longer contracted or is no longer part of the team, a representation that the athlete is under contract or is part of the team may be misleading or deceptive

Conclusion

The general prohibition against misleading and deceptive conduct applies equally when sport intersects with commerce.  Product endorsements are becoming a significant means of earning income and athletes are becoming increasingly keen to preserve the integrity of their ‘image’.  For sports administrators and corporate sponsors, using the athlete to promote their products and services is sometimes a valuable means to lifting their profile, but careful management of such use is necessary, given the Courts’ readiness to find that the public may be misled or deceived by the use of a well-known athlete’s name or image for promotional purposes without his/her permission.


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Copyright 2007 © Russell Kennedy.
The information contained in this publication is intended as general commentary and should not be regarded as legal advice. Should you require specific advice on any of the topics or areas discussed, please contact the author directly.